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Tuesday, July 30, 2013

MINI-REVIEW: Europa Report

MOVIE
Europa Report

CAST
Anamaria Marinca,
Michael Nyqvist

RATING
PG-13

RELEASE
June 27, 2013 (VOD)
August 2, 2013 (LIMITED)

DIRECTOR
Sebastián Cordero

STUDIO
Magnet Releasing

RUNNING TIME
1 hour 30 minutes






STARS
***







REVIEW:

Sci-Fi these days consists of explosions, CGI, and a lot of technical accomplishments.  Sometimes the best Science Fiction movies are the ones that are simple, yet effective.  "Europa Report" is an accurate depiction on what could happen if humans venture off into space and attempt to discover new life.  In a way, it's a combination of "Another Earth" and "Cloverfield," in which the story is executed simply and without many special effects while using the found footage formula that's been used in films like "Chronicle" and the "Paranormal Activity" series.  To top that off, the acting in the film is solid and the story is solid.  There isn't a lot to say about "Europa Report" other than what's already been said.  I mean, the story isn't the best, the dialogue is cheesy, and some of the outcomes of the characters seem a little too melodramatic.  Having said that, the visuals are really good, the found footage aspect is handled very well, and the acting isn't half bad either.  While the film is far from perfect, it is an effective, intense, and engaging movie that shows a very plausible outcome for if the Government decides to send humans back into space.




Monday, July 29, 2013

REVIEW: R.I.P.D. 3D

MOVIE
R.I.P.D.

CAST
Jeff Bridges, Ryan Reynolds

RATING
PG-13

RELEASE
July 19, 2013

DIRECTOR
Robert Schwentke

STUDIO
Universal Pictures

RUNNING TIME
1 hour 36 minutes







STARS
**1/2







REVIEW:

When people, including myself, saw the trailer for "R.I.P.D," the first thing that came to mind was "Men in Black."  Think about it: a rookie cop teams up with an old timer in a secret group who are in charge of keeping the world of ordinary humans safe.  Instead of men in black suits fighting off aliens, though, we trade men in black suits with dead police officers from all over time, and we trade aliens for dead souls who don't want to go to Hell quite yet.  Jeff Bridges and Ryan Reynolds replace Tommy Lee Jones and Will Smith as well, plus the story is somewhat different from the original "Men in Black" overall.  While the film, based off of a graphic novel of the same name, is far from original, it's not as horrible as one may think.  Sure many of the special effects are mediocre, the villain is weak, and the story has been done dozens of times, but "R.I.P.D." to an extent is still a fun enough movie to mildly recommend.

The film itself fails in delivering on spectacular visuals, a good villain, and a lot of comedy.  Some of the characters aren't needed that much and the film feels like something that's been done many times before.  Having said that, I was invested with the film and was having fun with it, particularly in the final 30 minutes of the film.  The chemistry between Bridges and Reynolds, while not as good as Jones and Smith in the "Men in Black" franchise, worked for the most part and was solid.  This isn't the best movie you will see all summer, but it is definitely far from the worst.  "R.I.P.D." is a movie worth checking out when it hits DVD and Blu-Ray.  Even though the 3D was surprisingly good, it's not necessary to pay the surcharge for it.  Overall, "R.I.P.D." is a flawed, but enjoyable popcorn movie that accomplishes at being nothing more than a fun summer flick.




PREVIEWS YOU MAY SEE:

We're The Millers

Anchorman: The Legend Continues

The Mortal Instruments: 
City of Bones

Kick-Ass 2

2 Guns

Thor: The Dark World

Percy Jackson: Sea of Monsters



Sunday, July 28, 2013

REWIND REVIEW: Identity Thief

MOVIE
Identity Thief

CAST
Jason Bateman,
Melissa McCarthy

RATING
R

RELEASE
February 8, 2013

DIRECTOR
Seth Gordon

STUDIO
Universal Pictures

RUNNING TIME
1 hour 51 minutes






STARS
*1/2








REVIEW:

Considering the talent involved with this film, "Identity Thief" turns out to be a mediocre film.  Look at the two big stars on the poster: Jason Bateman from "Horrible Bosses" and "Arrested Development," along with Academy Award nominee Melissa McCarthy of "Bridesmaids" fame.  Now look at the director: Seth Gordon, the director behind "Horrible Bosses."  The movie has a simple premise: a successful family man must travel to find and take down the woman who stole his identity.  Unfortunately, what was advertised as a comedy turns into something that is more of a drama where the audience is supposed to sympathize towards Melissa McCarthy's despicable and unlikable character.

I will give the film some credit for having a scene in a fancy restaurant that actually was kind of moving. When the film goes over the top though in terms of trying to make McCarthy's character a protagonist, and actually gets involved with Bateman's personal life towards the end of the film, that's when I lost my interest.  Also, the film tries to add in a subplot about a bounty hunter and two drug dealers that really does not flow well into the story.  "Identity Thief" is a step down from the quality of Bateman and McCarthy's other work, but it isn't the worst thing you will see all year.  However if you want to see Melissa McCarthy use her talents for the better, then just see "The Heat."




Friday, July 26, 2013

REVIEW: The Spectacular Now

MOVIE
The Spectacular Now

CAST
Miles Teller, Shailene Woodley

RATING
R

RELEASE
August 2, 2013

DIRECTOR
James Ponsoldt

STUDIO
A24

RUNNING TIME
1 hour 35 minutes






STARS
***3/4








REVIEW:

Everyone's a teenager once in their lives.  That's a pretty basic fact that not a lot of young adults ever really think about until their teenage years have passed.  In the mean time, though, many teenagers like to live in the present and just have a fun time doing so.  Sutter Keely, the main character in James Ponsoldt's "The Spectacular Now," is exactly that kind of guy.  Everyone loves Sutter, and Sutter loves life.  He is the type of guy that you can be great friends with, even if you just met him 10 minutes ago.  He's the type of teenager that everybody wants to be like.  At least, they want to be like him on the outside.  On the inside of Sutter is a much darker and more complex character who sees something in Aimee Finickey, who finds him drunk and passed out on a random person's lawn after a night of heavy drinking and partying.  These two characters, together, both change each other, sometimes for the better, and sometimes for the worst.  "The Spectacular Now" delves into the last few months of Sutter's troubled senior year, consisting of a mixture of love, heartbreak, family, and alcohol, and winds everything together in such a realistic and relatable fashion, that makes the film overall work.

Probably the best thing to come out of the film is how real it feels in terms of its characters and its story.  Screenwriters Michael H. Weber and Scott Neustadter, best known for '(500) Days of Summer,' show what it's like to have a hot shot teenager get what he wants with consequences also given as a consolation "prize."  Sutter is the type of character who teenagers, particularly ones who have been in or are in relationships, can relate to.  As somebody who hasn't had a relationship yet, it was harder for me to relate to Sutter on that level.  Having said that, there are other aspects of him that I found quite relatable to.  Not quite as relatable as Charlie in "The Perks of Being a Wallflower" was, but still pretty relatable.  The situations that these characters get into together, like an argument in a car, for example, however are portrayed in a very realistic and sometimes heartbreaking light that even have an outcome that nobody would expect.  I never read the original novel written by Tim Tharp, but I plan on doing so just so I can be with these characters some more.  Speaking of which, the acting in this film is, as the title would suggest, spectacular.

Miles Teller, best known for films like "Footloose," "Rabbit Hole," and "Project X," gives a breakout performance as Sutter Keely.  Throughout the movie, it is shown that he is the type of guy that anyone would want to be best friends with.  At least, that's how he's shown on the outside.  As the film progresses, we see a much more fragile and unstable character whose fear of turning into a monster leads him down a road of alcohol-enfused actions that slowly make him exactly what he fears to be.  Teller is a powerhouse in this movie, especially in the third act, and his performance in this film proves that he is going to be a big star in his future.  Shailene Woodley plays the unusual "nice" girl Aimee Finickey who later becomes the flame of Sutter's love life.

Woodley is one of Hollywood's rising young actors, and damn does she deserve to be.  Her performance in this movie, while not as good as her breakout role in "The Descendants," is still fantastic, further proving why audiences are starting to fall in love with her.  These two actors have such great chemistry together that it becomes almost heartbreaking when they have a fight.  It's almost hard not to love their chemistry and love them as a couple because they just work so perfectly together.  The rest of the performances, including Brie Larson and Kyle Chandler, are all great, but they're too small of roles to really go into full detail about.  It's really Teller and Woodley's performances that help the film truly shine.

Director James Ponsoldt, like Stephen Chbosky, effortlessly understands what its like to be a teenager and to have teenager dilemmas that drive them onto the brink of insanity.  He is able to bring the flawed but likable Sutter and Aimee to life in a way where we, the audience, can put our teenager selves into them to an extent.  As I said before, Sutter didn't connect to me the way Charlie did in "Perks," but that didn't stop me from relating to him in some way, shape, or form.  The way Sutter deals with school and life throughout the duration of the film is exactly how I treated my sophomore year of High School.  As you could probably guess, that's not a good thing, but it is how I personally saw myself in Sutter.  Getting back to Ponsoldt's direction, the way he shot every scene, orchestrated every actor's performance, was almost exactly how the life of a teenager is portrayed in reality.  I haven't seen Ponsoldt's previous film "Smashed," but I can tell now that he is going to become a very notable name in the movie world thanks to this film.

It seems that coming of age/teen films are making a fairly strong comeback these days.  The last time teen movies were able to tug at the heartstrings and bring adults back to their high school days was when coming of age god John Hughes ruled the teen scene.  His films, while often humorous, had relatable characters who were in situations that the audience could put themselves in to.  The best comparison to make to "The Spectacular Now" is "The Breakfast Club," and that's mainly due to the whole idea about teens not knowing what they want to do with their future.  Basically, take Andrew and Bender from "Breakfast Club," combine them together, and hook them up with a nicer version of Allision from the same film, and that's basically what the love story of this film amounts to be.  Overall, "The Spectacular Now" is an earnest, raw, and honest look at a teen's last few months of high school with a fantastic script, stellar acting, and many moments that will make you both smile and cry, sometimes even at the same time.  Despite not being as fantastic as "The Perks of Being a Wallflower" was last year, this is a movie that all teens should try to seek out as the summer closes out.








'The Spectacular Now' screenwriter Michael H. Weber and I after a Special Advance Screening of the film in Montclair, NJ, as one of the closing night films of the 2nd Annual Montclair Film Festival!

Wednesday, July 24, 2013

REVIEW: Only God Forgives

MOVIE
Only God Forgives

CAST
Ryan Gosling,
Kristen Scott Thomas

RATING
R

RELEASE
July 19, 2013

DIRECTOR
Nicolas Winding Refn

STUDIO
Radius-TWC

RUNNING TIME
1 hour 30 minutes







STARS
*1/2







REVIEW:

Two years ago, director Nicolas Winding Refn and indie darling Ryan Gosling teamed up for the fantastic romantic action thriller "Drive," which Refn won the Best Director award for at the 2011 Cannes Film Festival. After "Drive," people wondered what Refn was going to be doing next. Sure enough, Winding Refn teamed up with Gosling once again for an original story called "Only God Forgives." Gosling plays Julian, a drug dealer/boxing club owner in Bangkok, Thailand, whose older brother has just been murdered by men involved with the cops. After Julian's mother, played by Kristen Scott Thomas, flies to Bangkok to see her son's corpse and attempt to rekindle a relationship with her now only living son, she desperately demands Julian to avenge his brother's death and kill those with any connections to the murder. What could have been such a great follow up to a fantastic film noir instead is a movie that believes it's better than it actually is. "Only God Forgives" is a confusing, unintentionally hilarious, and boring film that may very well be THE definition of the term "style over substance."

The main thing, and it's a huge thing, that brings the quality of this film down is the direction/script from Nick Winding Refn.  It seemed to me that Refn, while making this film, believed that he was a god and could get away with doing whatever he wanted to do.  Well to Refn, I say, even Stanley Kubrick, Terrence Malick, and Steven Spielberg have had their bad films.  He tells his actors to move as slowly as possible, and that's not even an exaggeration.  Plus, the script has so little dialogue that the film might as well be a silent movie, ala "The Artist" or something.  I personally believe that Nicolas Winding Refn had a crazy dream one night that was set in Bangkok and wrote that dream down and that became this film.  There are sequences, that literally come out of nowhere, where Gosling's character is day-dreaming for no apparent reason.  That's one of the main reasons why the film's ending makes no sense at all unless you read the Wikipedia synopsis.  I don't even blame the actors or anyone else involved with the production for the final cut of the film.  It was all Refn's doing, and I have one Here's my final message to hi: having pretty images and some cool music does not make a satisfying movie.

The sad thing regarding the actors in the film is that all of them are talented, yet aren't given anything of quality to work with.  Ryan Gosling is basically playing the same exact character that he played in "Drive," only this time he talks less and doesn't do much other than pose and randomly beat people up. In fact, there is a scene where Gosling randomly screams at another character after a confrontation with his mother.  I don't know if that was supposed to be funny, but I was laughing my head off when that happened.

Kristen Scott Thomas is despicable and annoying as Julian's mother.  For about 85-90% of the movie, she is either screaming her head off or saying almost every curse word found in the book.  This is the type of performance that just makes you want to jump into the movie and shoot the character point blank in the head, ending their presence once and for all.  I know Thomas is a very talented actress, but she was just going way to over the top with this one.  Asian actor Vithaya Pansringarm plays the head cop, aka the main villain, in the film, and he does little to nothing, other than stare, play with his samurai sword, or sing karaoke.  I could sense talent in his performance, but there wasn't anything really breathtaking at the same time.  I would talk about the other actors in the film, but their parts were so small that they're not even worth mentioning.  The actors in this movie are very talented, but Nick Winding Refn's script and direction brought their performances down.

The only two good things to say about this movie is the cinematography and the score.  Larry Smith definitely has a craft because this film looks just gorgeous.  Every shot looked planned out and is really candy for the eyes.  Cliff Martinez, best known for working on the "Drive" soundtrack, brings a solid electric vibe with his music, and his track "Wanna Fight" is one of the best songs on a soundtrack all year.  The fact that the only redeeming qualities about this movie is that it looks and sounds good is a true example of how a movie should not be.  This film is nothing but pure style.  If it had anything more than good cinematography and a good soundtrack, then the film wouldn't have been as awful as it is.  As I said before, this film is the exact definition of the term "style over substance."

It's a shame that "Only God Forgives" turned out as awful as it is, but then again, no director is perfect. My personal belief is that Nicolas Winding Refn wanted to make a movie that would only please him and his die-hard fans.  The acting is either too subtle or way to over the top, the story sometimes makes no sense due to the lack of explanation, the film is often boring and moving at half the speed that it should be, and the film features a mediocre script that has some of the most unintentionally funny moments of 2013.  This just shows what happens when a director is so fond of himself that he thinks that he can make anything and people will love it.  As someone who loved "Drive," I gotta say that this is a gigantic step down for Refn.  God may forgive Nicolas Winding Refn for "Only God Forgives," but I can't, because this film was just such a goddamn atrocity.